As I swam up and down my local pool pondering these
questions, I remembered an inspiring conversation with a leading authority on pianolas,
Rex Lawson, who had, by chance, visited my studio during the Open Studio event at
Cockpit Art in June with his wife. Perhaps the coded materiality of the pianola
roll might be a useful common ground. And perhaps the rich and distinctive
symmetry of a Bach Fugue would provide a framework for the creation and arrangement
of the glass pieces.
I was also worried about how we might analyse and interpret
the projections themselves- to move beyond a simple metaphor (‘bright = loud’)
to offer a more sophisticated link between the optical and acoustic phenomena.
Another connection, this time from my Bristol psychology network bubbled into
view. The physicist Sir Michael Berry is an old friend of my PhD supervisor,
Priscilla Heard and we had met with his wife for tea two years ago. He seemed
as fascinated as I with the caustics created by the glass objects and several
hours flew by as we toured his rambling house with torches peeping into
darkened rooms filled with experiments. Perhaps he would be willing to help.
Scott seemed excited by the idea and we agreed to make a
start. I contacted Rex who was traveling and unable to help with the Bach piece
in time for our first workshop. Scott found a section of a roll of a Beethoven
piece and sent over a series of scans- we both instantly liked the patterns in
‘page 4’ so I imported this segment to a 3d modelling programme to recreate the
original grid, borrowed a desktop plotter / cutter from a friend to create the
stencils and sandblasted a series of tests on different types of glass – a
borosilicate drawn tube, a mold-pressed kilner jar, panels of window glass and
mirror.
Beethoven 'Moonlight Sonata' pianola roll fragment |
Kilner Jar (Photo: Michael Coldwell) |
I loaded a backpack and set off to meet Scott in the sunlit
plaza in front of Huddersfield station. A wonderful warm evening with Scott’s
wife and daughter set the scene for an incredibly productive day in Leeds.
We started with the ‘Principles of Collaboration’ exercise
over strong coffee and slabs of cake, delighted and relieved to find that,
rather than dulling our enthusiasm, the exercises reinforced our confidence and
got us thinking about new ideas.
Back to the music department to set up the lights and the
glass and to meet Mick, a hugely talented Leeds-based PhD student in Moving
Image that Scott had invited to work with us to document the project,
particularly taking still shots of the glass objects themselves. He was
instantly engaged, pulling out his camera to begin work and making excellent
suggestions – the results are wonderful. We’ve asked him to help us with
filming performances too. It’s great to
have him on the team.
We finished the day with a review of the work so far and
animated plans for the months ahead strolling through the afternoon sunshine–
exciting times
Borosilicate tube end (Photo: Michael Coldwell) |
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